Eric Maillet’s visual universe pulls us into a vertiginous face to face with the contemporary world : it is a story of close-ups, of blow-ups, as if one always had to get as close as possible in order to better understand. To magnify as much as possible as to attain the limits of the frame.
Eric Maillet transforms objects, bodies, and landscapes without touching them; he transforms them into something organic, metamorphosing them into a moderniste surface. While the object here gives itself away in its very essence – with precision but without sophistication or special effects whatsoever – the subject shapes into a silent, a surreal, a kinetic or a fantastic landscape.
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